THERE IS NOTHING HERE

THERE IS NOTHING HERE Dust always aspires to take the most authentic state — that is, to be dispersed throughout the room space. The cleaner, meanwhile, is trying to collect dust in one place, so as to raise our awareness of where the dust is: in the dustpan or in the bin bag. It turns out that the cleaner can be considered as an information worker — because she or he does not do anything with dust, but only changes our knowledge of its location. This is an appeal to processes that we do not notice in everyday life. The delicate assertion of the obvious becomes visible. This exhibition is a reflection of the environment in which I have been living for the last 5 months. The guest's position allows you to take a closer look, to consider... The objects at the exhibition are only lenses through which, when properly tuned, you can focus and see from another angle — not better, not worse, but just another. In this case dust in the gallery becomes part of the exposition. The dust that now stays on the projector's lens through which we see the projection is an important part of the work. In motion, the viewer disturbs: grains of Sahara sand, crumbs of the Cheops pyramid, the ashes of volcanoes, the spores of South American plants, the particles of kangaroo fur, marble dust of ancient ruins, the pollen of French lilies, space dust, dandruff, fragments of feathers, hair, skin, fragments of butterfly wings, particles of mushrooms and mold, fiberglass, nylon, sand, particles of paper and fabric, fragments of building materials, furniture and household items, food, crystal salt from the ocean, compound eyes of flies, particles of the Chinese Wall, dust from the September 11 2001 attack, crystals of boric acid, varnish, fragments of extinct dinosaurs, fragments of Neanderthals, fragments of amber, fragments of mold, fragments of asbestos, fragments of coal, fluff, cement, fragments of metal…